Now there are forums and social media where you can get in touch with your fans. I maybe could have worked it a bit harder then but it was early days. I’m not some kind of giant pioneer but I was doing something like this on a site in the mid to late ’90s and when MP3’s first came along I tried to make something that although a bit clunky in its functionality, involved selling music directly to the fans. Has the development of the internet given you the freedom to put you and your fans together so you can sell directly to them? It’s been great.īack in the olden days as an artist you’d need a record label to fund, promote and distribute your music. I just wanted to try different things and I have been really surprised at the reaction. It wasn’t intended as a great business venture or a comeback, it was more of a case that I was writing lots of stuff and rather than have it sit around somewhere I thought I’d put it out for the people that cared. I just wanted to write and try to be creative. I didn’t want to get into the producer head place.
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I didn’t want to get bogged down in all the technology, Pro Tools options. I just wanted to write in an improvisational way and spend only a day or two on each song. You’ve just had an offer of a virtual digital box set of 15 or so releases for less than 20 UK pounds. At the beginning of the 90s Saigon Kick brought a fresh new edge to Metal with hard hitting riffs and unique harmonies with a sense of adventure that saw them spreading their wings musically from album to album. The band split towards the end of that decade but have returned for another assault on the senses. Mick Burgess sat down with main man Jason Bieler to talk about Saigon Kick and also his latest project, Owl Stretching, which has seen Bieler release a shed load of new songs, written and conceived in his home studio and available to download right now. He’s happy, he’s enthusiastic and Bieler tells all about his exciting new project.
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